Compare and contrast of charlie and

Rapid rise[ edit ] Rangel second from left, top with fellow founding members of the Congressional Black Caucus in As a freshman representative, Rangel focused on the drug issue, and was a member of the House Select Committee on Crime. In Februaryhe criticized the Nixon administration for not taking stronger action against Turkey and France, the source and manufacture points for most of the heroin coming into the U.

Compare and contrast of charlie and

By Graydon Most of the pitches for self-publishing as an activity are about how you can make money. If you want to make money, you need to publish rapidly and you need to have a consistent brand in terms of what the writing is like, what kind of reading effort is involved, and where it gets the reader in the feels.

All of these things create the engaged fan base that results in sales volume, and you absolutely need sales volume if you're trying to make money.

Oh, and you need to publicize, which its own set of skills. My publicist skills are plausibly negative. I write slowly; the books are different; readers report feels variously, and after five books, total sales via all channels is under two thousand copies.

If I've got commercial objectives, they're failing miserably; not quite "died in a pit of desultory rat-gnawing", but certainly somewhere around "succumbed to exposure after the seventh hour of hard cold rain".

So why am I doing this? My suspicion is that just as being able to make lots of money off of recorded music was a temporary aberration brought on by a particular tech level, so was being able to make money off of writing novels. That period hasn't quite expired, but it's gone from "skill and persistence and some luck" as the career criteria--this is the activity as keeps you fed and housed, career--to "skill and persistence are necessary, but not sufficient".

You can't plan on a career doing it, even if it's something at which you are skilled.

Difference Between Charlie Chaplin and Buster Keaton | Difference Between

Story was mostly a performance, for most of history. Written story was something a professional writer--meaning scribe--did in their spare time. I don't want to say hobby but it wasn't what kept you fed or housed. Novel-scale story is going back to being a kind of performance with the increasing market share of audio books; a distinct market, for which the written text version of the novel is not regarded as substitutable.

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Rather like how any camera that isn't a phone camera is niche, the written novel is an increasingly niche form of story. That's the gloomy view; we had this thing, and now it's gone. But maybe you will get very lucky, if only you buy a ticket. It's not a cheap ticket.

I think there's a cheerful view. If you're trying to make a commercial success of writing, the commercial objective is a constraint. Success requires consistent novelty, modest demands on attention, and, above all, appropriate emotional responses.

It becomes a kind of iron triangle; a narrative can produce novelty, immersion, and feels but only in a relatively small portion of the possible space.

At least for any specific reader. Lots of choice encourages particularity. Get too far toward the novelty, immersion, or feels points of the triangle and you don't so much risk breaking the story as you make reading too much work for the story to have commercially sufficient numbers of friends.

If you don't have those commerical constraints, there are things you can do that aren't otherwise possible. You're not going to make a living at it, and your share of the growing! If you can approach the text with an expectation that whomsoever shall read it knows they have to read all the words, you can get a degree of immersion not otherwise achievable because you get to use all of the finite number of words to contribute to the setting, rather than losing lots of them to narrative redundancy.

You only get so many words; most words can't do two jobs. Ease-of-reading redundancy uses up the utility of a large proportion of the available words.Hello everyone, and apologies for the lack of activity here lately!

I'd like to introduce you to our new guest blogger, Heather Child. Heather is a Bristol, UK based author who has worked in non-profit marketing for the last twelve years, coming into close contact with the digital automation and personalisation technologies that herald the 'big data' age.

skybox2008.com is the site of veteran server troubleshooter Charlie Arehart, who serves the community with consulting, tuning, and configuration support and training.

He's also a frequent author and speaker. Here you'll find such resources as his blog, past articles and presentations, UGTV, CF, and more. Compare and Contrast: Willy Wonka and Charlie and the Chocolate Factory. No description by karen murakami More presentations by karen murakami Charlie and the Chocolate Factory vs.

Compare and contrast of charlie and

Wi Charlie and the Chocolate Factory vs. Wi Popular presentations. See more popular or the latest. prezis. Prezi. Product; Gallery; The . Superbly fitting women's fashion for casual, professional or formal wear.

Sophisticated styles that are comfortable, travel well and translate to all seasons. Choose from trousers, jeggings, denim jeans, dresses, skirts and jackets in a variety of fabrications and colors. Compare and Contrast Compare and Contrast Essay The Willy Wonka and the Chocolate Factory and Charlie and the Chocolate Factory were similar and different in many ways in terms of the characters, relation to one another, events and plot impacts, and the scenery.

In this sense Charlie is no less of a lab rat than Algernon. He does not really have value to the scientists other than for the results of their experiment. The scientists want to use the results for publication and to promote their careers. Charlie and .

Charlie's Diary